Wednesday 31 July 2013

The Guide to Dance Hair for Non-Black Hair - Part II

Welcome to Part II of dance hair for non-black hair! Don't forget to check out Part I!

This is a very simple style using a paranda, to learn how to put in a paranda check out my That long thing with tassels. post. The paranda is used by a lot of schools of Kathak, especially in Pakistan. The paranda can be used with a fake hair extension but it generally acts as a hair extension in itself. It can be tied to the back of the dress but I have seen it left loose during performances too. Flowers can be added as per preference, generally speaking flowers are kept to a minimum for Kathak, usually just a few elegant strings of jasmine flowers. On hair that isn't black the traditional hair extensions plaited in for dance aren't a possibility and here's why...


It doesn't look natural does it? The paranda however is not made of hair, it's made of thread and so it isn't supposed to look natural, it's supposed to be seen as a hair accessory and so can be used in any colour hair. 


I have found that a French plait keeps the hair much neater and more compact when dancing. My Kathak Guru has always told my classmates to do a French plait and it does work better. The hair I was working with here was extremely shiny and slippery and so doing a tight French plait was almost impossible, it would work much better if the hair was wet (wet not damp). In the photo above I tied it where I added the paranda so you can see. You can add the paranda right at the beginning of the French plait but it is a lot harder. Again please check out my blog from June "That long thing with tassels." for all the YouTube links to tying a paranda. If you don't know how to do a French plait (which as a Kathak dancer you really ought to...) here's a link, How to: Basic French Braid




This is the finished product, without flowers. For dance the fringe would obviously need to be pinned back. I have shown it here over the shoulder because many Kathak dancers pin it over the shoulder so that it can be seen from the front. I have used a gold coloured paranda here which are actually quite hard to find, generally they are black, but as you can see most of the paranda is covered by the hair. It would still look fine if it was black because you can see quite clearly that it is a hair accessory. One thing that is perhaps open for discussion is how to tie the end of the paranda. There are two options as far as I know; the first is a hair band as I have used here but this is problematic because it takes time to get all the tassels through it each time whilst being careful not to damage them and they will inevitably get damaged but it is an easy and quick method. The other option is getting some black embroidery thread and winding it round and round the end of the paranda plait and then knotting, this is fiddly and the black thread is not always re-usable if you make the knot too tight. So it's problematic in general but nothing beautiful is ever without problems right?



This is what it would look like with flowers. Ideally these would be longer strings of flowers and would be fresh jasmine blossoms, but alas we're not in India so I shall have to settle with these plastic flowers. Some schools of Kathak put the flowers higher up on the head but I think it looks too much like Bharatanatyam when done like that, putting them lower down makes it look more graceful and subtle in my opinion. Of course as with all hair posts I write, none of these girls are actually dancers and so I haven't used as many pins as perhaps necessary for dance or made the front as neat and secure as would be needed, this is just to inspire :)

Stay tuned for part III


The Guide to Dance Hair for Non-Black Hair - Part I

Hello all!
Welcome to my guide to dance hair for non-black hair because let's face it, most accessories available for dance hair are designed for black, Indian hair. So this is a guide to give all of you dancers out there with hair that isn't black some ideas and inspiration...

This is the hair I was working with, lovely isn't it?

So this first style is common to both Bharatanatyam and Kathak, the basic idea is also the base of Odissi dance hair. It's a bun using a doughnut, do check out my Le Beignet. post about using a hair doughnut. If you add more flowers and a rakodi this is a Bharatanatyam look, and if you add fewer flowers and leave out the rakodi you have an elegant Kathak style. 

I started with a ponytail, simple enough. Just remember that the height of the ponytail is how high the bun will be. If you have a fringe, this would be the time to pin, clip or gel it out of the way. 

Then I pulled the ponytail through the doughnut, wrapped the hair around the doughnut to cover it and then put a hair band around the newly-formed bun. 

I then wrapped the remaining hair around the bun, and secured with a crazy amount of bun pins. I put a hair net around this but it isn't strictly necessary.




This is the final product, it is a bit wonky I know. As I said before, if you use fewer flowers and leave out the rakodi then this style works fine for Kathak. In the photos above it's more suited to Bharatanatyam. The fringe can of course be far more efficiently dealt with. 

Stay tuned for part II !




Thursday 25 July 2013

Kathak Inspirations: Fasih Ur Rehman

Bonsoir!!

Welcome to the first instalment of "Kathak Inspirations"

Introducing...

Photo credit: Unknown, sorry!

FASIH UR REHMAN

Fasih Ur Rehman is a disciple of Maharaj Ghulam Hussain Kathak, often considered the father of Kathak in Pakistan. Maharaj Ghulam Hussain was himself a disciple of Achan Maharaj, the father of Pt. Birju Maharaj (although as a Kathak dancer, you really should have known that...) Fasih Ur Rehman is therefore trained in what is often called the Lahore-Lucknow Gharana. He began his training in 1977 and went on later in life to study under Smt. Kumudini Lakhia, herself a legend in the Kathak world. Interestingly in a country that is often dubbed as very conservative, he was awarded the Tamgha-e-Imtiaz, the fourth-highest civilian decoration in Pakistan by the President and Government of Pakistan in 2006 for his services to Kathak.

Here are some YouTube links to a documentary on Fasih Ur Rehman. The documentary is in Urdu but with English subtitles. There are some beautiful clips and I believe it is filmed in Pakistan.


When it comes to Kathak dancers I must say that my inspirations are very biased; they are nearly all from the Lucknow gharana. Fasih Ur Rehman is an absolutely wonderful dancer. There is so much emotion in his dance, you're physically moved by his performances. He is often praised for being able to switch between masculine and feminine roles perfectly on stage. I have also always admired his simple but beautiful costumes. It makes one notice the dance more because there are no over the top costumes to distract ones' attention.

Here are the links to a performance of his in London, the filming is wonderful and also has some shots of the stage rehearsal.


Equally Fasih Ur Rehman's technique can't be faulted. His posture, grace and footwork are pristine. It is wonderfully inspiring to see such a well-rounded Kathak dancer. His dance really is breathtaking. For me, I also find it inspiring that he is Pakistani. As someone with Pakistani roots it is pretty amazing to see someone overcome all of the cultural and conservative boundaries and succeed. Whilst still representing Pakistan and all that it stands for. Kathak is in fact the national dance of Pakistan.

This is a link to an old performance of his from when he was much younger
Fasih Ur Rehman - Tribute to Maharaj Ghulam Hussain Kathak (1901-2001) Pakistan

And some more great links...



Fasih Ur Rehman is currently holding classes in London...
Photo Credit: Unknown/SADA

Starting from Sunday 14th July 
Time: 15:00 to 17:00 
Venue: The Royal Academy of Dance
36 Battersea Square, London, SW11 3RA
Fees: £25 per person per week

Learn subtle and clean postures of Kathak
And unique compositions of Ghulam Maharaj ji -Old and unique Compositions of Achchan Maharaj ji

A minimum of 3 years of training in Kathak is required to be able to do this class and the follow up sessions of regular classes.

Contact: fasih_rm@hotmail.com or shreyanag@hotmail.com


That's all for now! You should all go check out Fasih Ur Rehman! 
Happy Dancing!



Tuesday 23 July 2013

Bharatanatyam Inspirations: Apoorva Jayaraman

Hello all!
I'm starting something new for the blog today! I'm going to post some inspiration entries. These are the dancers who inspire me to do what I do, who inspire me to work harder, practice longer and make me fall in love with dance all over again.

Today I bring you "Bharatanatyam Inspirations" =D

Introducing... 
Photo credit: Niranjan Prasad

APOORVA JAYARAMAN

Having trailed the internet there would seem to be little written about Apoorva Jayaraman, this jewel in the crown of Bharatanatyam, perhaps because she is still a rising star. From what I have been able to find out about her dance background, she is a disciple of the one and only Priyadarsini Govind, who incidentally was recently appointed director of Kalakshetra (if you do Bharatanatyam and haven't heard of Kalakshetra then shame on you.) She first performed solo at the age of 8 which in India I imagine is quite a feat, over here in the UK though Indian parents are shoving their kids onto the stage as soon as they can walk. 

Photo Credit: Unknown/Bhavan Centre

There are two aspects of Apoorva Jayaraman's dance that I find so inspiring; first is her technique and posture, it's just perfect and makes her dance flow so beautifully. Secondly is her abhinaya, it is absolutely breathtaking. Not only does she just completely make you feel like you are actually watching a child Krishna or Ganesh on the stage but during pure dance pieces her smile is simply mesmerising. It is so amazing to see a dancer who is so refined and polished, her footwork is always pristine and crisp too. 

Here are a couple of video links...


I think we all, as dancers, need to find inspiration from somewhere, dancers to look up to, to give us something to aim for, something to work towards. Watching Apoorva Jayaraman makes me want to work harder, to attempt to come somewhere near her perfection. 

“Nobody cares if you can't dance well. Just get up and dance. Great dancers are great because of their passion.” 



This quote, to me, shows another aspect of Ms. Jayaraman; even if her technique wasn't so unbelievably perfect, her performances would still captivate because she is captivating. There is no question when watching her dance that she is incredibly connected to Bharatanatyam, you can see her passion, love and spiritual connection to it. That, to me, makes her performances all the more breathtaking. 

Apoorva Jayaraman, Bharatanatyam dancer, disciple of Priyadarsini Govind, inspiration to many. 

Sunday 21 July 2013

Dance hair for extremely short hair - Part IV

Welcome to Part IV of "Dance hair for extremely short hair" the final part of this 4-part series. Don't forget to check out Part I, II and III!

This style is one less often seen, some schools of dance use it more than others and it is typically used for Bharatanatyam or Kuchipudi, generally when portraying Goddess Durga or Kali. I still don't have any proper flowers so the way I've done it is a little unconventional using what I have.


Again we start with the trusty tuft, which at this point is starting to look like a chimney sweep...


I then tied the fake hair to the tuft and created a bun with the tuft. The bun can be made by using a small hair doughnut as demonstrated in Part I, or you can simply fold the hair back over the hair band and secure with another hair band and pins. 


I then added flowers around the bun, and some large clips. The clips are needed to have something to build the next lot of flowers onto.

In this photo you can see how I started to wrap the flowers around. Of course this does require lots of pins but if I had the proper flowers it would have been much easier.


Voilà! The finished product! 

Hopefully you enjoyed this hair series, I'm planning a few more with different hair lengths so stay tuned!

Until the next time, 
Happy Dancing!


Dance hair for extremely short hair - Part III

Welcome to Part III of "Dance hair for extremely short hair" Don't forget to check out Part I and II !

This style is typical of Kathak, it's a little over the top because of the fact that it's done with extremely short hair but if short is what you're working with then this is a possibility but to make it secure enough for dance you'd need a lot more pins than I used. The basic idea of this style is extremely simple, it's just a low bun with flowers around it.


I started by tying the cord of the fake hair at the top of the head, this is where an awful lot of pins would be needed, or even perhaps clip-in hair extensions.

I left the fringe out of the cord so that I could fold it back over to cover the cord. Again black clips here would have been better. 

So this is then what you're left to work with. Pins and gel are the only ways to do something with all the short hair. 


I then used a doughnut to create a bun with the fake hair. I used the rolling down method which can be seen here How to do a simple hair doughnut. Then I added a hair net. The hair net was actually smaller than the bun but bun pins solved that issue ;) A hair net isn't essential but I think it looks neater, the first of the pictures above is with the net, the second without. The short hair on the rest of the head can of course be neatened with gel or hair spray. 


Here is the final product with flowers wrapped around the bun. Pretty simple really! 

Part IV coming up!




Dance hair for extremely short hair - Part II

Welcome to part II of "Dance hair for extremely short hair" Don't forget to check out Part I

This next style is again more traditionally seen used for Bharatanartam but if toned down slightly, with a lower bun, it can also be used for Kathak. It essentially comprises of a bun with a long plait beneath.


As you can see I started again with our trusty old tuft. 


I then added the fake hair which again can be seen on my Southall Haul post. I tied it tightly around the tuft.


I then started to plait the fake hair, I attempted to french plait in some of the actual hair but as you can see it really was too short. I tied a scrunchie in the plait above to show where I added the Paranda. 




At this point the Paranda has been plaited in, I measured it so that the Paranda ended where the fake hair ended. I continued to add more pins to sort out fly away tufts of hair, which would have been more easily tamed with gel. You can also see how the cord from the top of the fake hair is tied back down the plait to secure it. 




And so here is the finished product! I added two lots of flowers around the bun, and then a separate length of flowers twisting down the plait. 

This style is of course best done on long hair, and I shall demonstrate it on long hair in another post. 

Part III coming up!




Saturday 20 July 2013

Dance hair for extremely short hair - Part I

Bonsoir!!

Traditionally the Indian/South Asian view of a beautiful woman is one with long hair, hence a large majority of South Asian girls have long hair, especially Indian classical dancers, but what about all those non-Indian Indian classical dancers who have short hair? Like reeeealllyyy short hair... Well this is the first in a series of 4 blog posts to give you the answer!

A good friend of mine agreed to be my guinea pig this time, so we'll dive right in with the first hairstyle. If you remember my post from a while ago entitled Doughnuts and Brooches you'll notice that this is a variation of the same style. It's typically for Bharatanatyam but could equally be used for semi-classical pieces or classical based dances such as Gaudiya Nritya. The basic idea is two buns, one essentially on top of the other. I think the two buns should be quite close together, although as you'll see this is not always possible with hair as short as this. I also feel it is important for Bharatanatyam that any high bun should have its flowers visible from the front.

This is the length of hair I was working with...



and this is how I did the style, as step-by-step as I could manage...


So I started by creating a ponytail, well more of a tuft, from the longer half of the hair. I just used a regular hair band. Obviously it is best to use one that matches the colour of the hair but it isn't essential. I also used some clips to neaten up the front but I didn't have any black ones so they do stand out, but obviously black ones wouldn't be seen on a stage.

I then used a small hair doughnut and a thicker almost scrunchie-like hair band to secure it, as well as bun pins. As you can see the tuft doesn't quite cover the doughnut hence I implore you, when doing dance hair for hair that is this short, USE HAIR GEL. 


Then as you can see I gathered the remaining hair into the smallest ponytail known to man, aka a stump. Securing again with clips and pins that should have been black. The stump gives you something to work with and if I had used gel this would all have been so much easier. 




This is the final product and all I've done is add flowers with lots of bun pins. The white flowers are the same ones I used in my other previous hair posts and the red ones can be seen on my Southall Haul post. 

This style isn't actually hard to achieve, it's only hard when the hair your working with is as incredibly short as this hair is and if, like I was, you are doing this without water, gel or hair spray!

I shall remind you again that doing hair for any Indian classical dance is not for the faint-hearted, you will need an endless supply of hair spray and an endless supply of 50 different types of hair pins... but it's all worth it in the end!

Stay tuned for part II !